A certain template which is all too familiar is followed in all of his movies. I am talking about director Johny Antony whose latest flick Thoppil Joppan has just hit the big screen. Joining hands with Mammootty again, which is their fourth movie as a combination, Thoppil Joppan is an entertainer trying to cash in on some of the memorable Achaayan avatars of the megastar which are quite popular and successful except a very few. But being too formulaic and with a less inspiring screenplay, the movie end up just as a passable one.
The story revolves around the title protagonist who has a failed romantic story behind him. Starting in a flashback mode, the plot unravel through Joppan, his family and close friends who all try their best in getting a suitable girl for him by any means. But things are not that easy as said as Joppan who is still unable to erase memories of his past love interest is stubborn in his decision to not enter into a wedlock. Rest is all about how Joppan is lured by his close ones to change his mind.
Mammootty’s Achaayan roles except a few have always been lively movies and their main success can be attributed to the fondness of the audience for such characters when he is doing it. All these successful films be it Kottayam Kunjachan or Oru Maravathoor Kanavu or Sangham for that matter have been highly effective due to the humor, slang and style that the actor has brought into it.
Here in Thoppil Joppan too, the director has tried to be safe by handing him a character with the shades and similarities of those roles Mammootty has done in the past. Humor and heroism is the main ingredient through which the story unfolds and it has some good moments in parts to laugh and cheer. But with an uninspiring and familiar looking screenplay, the movie does not end up as an outright entertainer but at the best an average movie.
There is no target audience for this movie as the fans and the family and anyone who wants to try something that is primarily an entertainer can give it a shot provided you are not averse in watching the same old thing in the same old format with little bit of changes. Johny Antony has used his all too familiar style in dealing with the comedy part and it is pretty much the same in other areas of the movie too. At times, the script just wander aimlessly but here again the relief comes in the form of average jokes which provide little dose of fun.
Mammootty effortlessly plays and fits into the title character. Joppan’s character is an easy one for him considering the numerous roles he has portrayed on similar mould in his long and illustrious career. Mamtha Mohandas is Maria, one of the female leads out of the two. She was lively and quite good in that role. Andrea Jeremiah the other heroine was okay but the role was too short to make a strong presence. Renji Panicker in a less prominent role made his presence felt while Jude Anthony to put it straight was plain annoying.
Alencier Lay, Saju Navodaya, Sohan Seenulal and Sreejith Ravi are the gang of friends around Joppan and they provided good fun and did their part for the drama to unfold in the right direction. Salim Kumar and his comedy in his trademark style was a major highlight of Thoppil Joppan and it was good to see the actor doing a humorous role after a long gap. Kaviyoor Ponnamma and Harisree Asokan are also part of the onscreen proceedings. Music is by Vidyasagar which was nowhere close to his standards.
The movie is an entertainer providing occasional fun only and just about manages to get the passmark. Anyone who doesn’t mind watching a subject that has been presented in different formats in many movies earlier might find it to their liking. Old wine in old bottle, thats the bottom line about Thoppil Joppan.